P K Nair dedicated his life to restoring and archiving films.
'There has been a lot of ups and downs, unexpected highs and unimaginable pain, almost thinking that I'm going to die.'
'Amitji called me after he watched the film and spoke for half an hour.' 'He said, "According to me, this is your best performance till date".' '"I feel like seeing the film two-three times just to watch your important scenes".' 'I was really thrilled.'
Jaane Bhi Do Yaaro, Parinda, 1942: A LOve Story, Devdas, Kareeb, Mission Kashmir, Munnabhai MBBS, Rang De Basanti, Delhi 6, Bhag Milkha Bhag, Kalank... all bear the visual stamp of Binod Pradhan's genius.
'You might hate him, but it will be an honest portrayal.'
Rajkumar Hirani, who rules critics' hearts as much as he rules the box office, is back after five years. Sonil Dedhia listens in as the filmmaker talks about PK (without dropping the cloak of secrecy of course).
'The overarching fact of modern social behaviour isn't that we are irresponsible women and men, but that we are never quite sure, when and how to act responsibly.' 'This is the real side of every Twitter outrage, where those who tweet about stories of 'unreported domestic abuse' end up feeling superior to those neighbours who are summoned up as clueless witnesses.' 'This view of the supposed spiritual decay of our times, which is at the core of Gali Guleiyan, is thus more fashionable than perceptive,' says Sreehari Nair.
'The Maharashtra government diktat is another meddling example in an industry where politics or language has no role to play.' 'Cinema has a universal language. Filmmakers are divided across regions, but united in their passion for films,' says director Suparn Verma.
'Buddy knows more about Raju's films because he sits in the editing room.' 'He has seen Sanju a number of times already!'
Saurabh Shukla, one of our finest character actors, on his life and movie career.
Manoj Bajpayee confides in Rediff.com's Ronjita Kulkarni about his 'long journey filled with rejection, betrayal, misery, failures and disillusionment.'
Pavan Malhotra, one of our finest actors, shows us another side of Bollywood.
Barring a Shah Rukh Khan, an Akshay Kumar or a Preity Zinta, it is near impossible for most Indians to break into Bollywood's exclusive club of star children. Hearteningly, it is still possible for Indians born in middle class homes to become star technicians like 3 Idiots director Rajkumar Hirani. Patcy N and photographer N V Reuben traveled to Raju Hirani's home town Nagpur last week to discover how his journey to directorial superstardom began.
'Smita Patil was the reason I got into films. She kept telling me to get into films but I said I was happy doing theatre, I don't like films. Today, when I look back, I don't think I disliked films. Maybe I thought who would take me in films? I think it was a complex.' Nana Patekar looks back at his life.
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